K kjazz New member May 14, 2015 #1 I need to indicate AboMaj7 That's A Flat Diminished Maj 7...... Can someone tell me how to do this. I've tried AboTriangle7, AboMaj7, Ab-Maj7b5, but nothing works. I need a diminished chord 1,b3,b5,Maj7 thanks so much, Kerry
I need to indicate AboMaj7 That's A Flat Diminished Maj 7...... Can someone tell me how to do this. I've tried AboTriangle7, AboMaj7, Ab-Maj7b5, but nothing works. I need a diminished chord 1,b3,b5,Maj7 thanks so much, Kerry
pdxdjazz Administrator Staff member May 14, 2015 #2 kjazz said: I need to indicate AboMaj7 That's A Flat Diminished Maj 7...... Can someone tell me how to do this. I've tried AboTriangle7, AboMaj7, Ab-Maj7b5, but nothing works. I need a diminished chord 1,b3,b5,Maj7 thanks so much, Kerry Click to expand... So the chord you want contains: Ab, B, D, G ? See if G/Ab will work. )BOB Last edited: May 14, 2015
kjazz said: I need to indicate AboMaj7 That's A Flat Diminished Maj 7...... Can someone tell me how to do this. I've tried AboTriangle7, AboMaj7, Ab-Maj7b5, but nothing works. I need a diminished chord 1,b3,b5,Maj7 thanks so much, Kerry Click to expand... So the chord you want contains: Ab, B, D, G ? See if G/Ab will work. )BOB
K kjazz New member May 14, 2015 #3 Thanks Bob, actually I need...... Aflat dim Maj 7 over Eb in the bass. So I was trying here to solve just the top part of this particular chord change. Eflat in the bass is sort of important as it is resolving to Eflat Maj 9. It gives a strong leading tonality.
Thanks Bob, actually I need...... Aflat dim Maj 7 over Eb in the bass. So I was trying here to solve just the top part of this particular chord change. Eflat in the bass is sort of important as it is resolving to Eflat Maj 9. It gives a strong leading tonality.
K kjazz New member May 14, 2015 #4 I realize a Diminished +7 is not extremely common, but I would have thought common enough to be doable here in iReal. (???)
I realize a Diminished +7 is not extremely common, but I would have thought common enough to be doable here in iReal. (???)
pdxdjazz Administrator Staff member May 14, 2015 #5 kjazz said: Thanks Bob, actually I need...... Aflat dim Maj 7 over Eb in the bass. So I was trying here to solve just the top part of this particular chord change. Eflat in the bass is sort of important as it is resolving to Eflat Maj 9. It gives a strong leading tonality. Click to expand... Man, talk about a "tension" chord! )BOB
kjazz said: Thanks Bob, actually I need...... Aflat dim Maj 7 over Eb in the bass. So I was trying here to solve just the top part of this particular chord change. Eflat in the bass is sort of important as it is resolving to Eflat Maj 9. It gives a strong leading tonality. Click to expand... Man, talk about a "tension" chord! )BOB
J Joo New member Jun 14, 2015 #6 you can try E7#9/B, first Position. It`s an inversion of your voicing, with b3 in the bass. Does it work? Greetings Werner
you can try E7#9/B, first Position. It`s an inversion of your voicing, with b3 in the bass. Does it work? Greetings Werner
)BOB
