Suggestions for additions or changes to the Main Jazz Playlist

There’s a mistake in the chart for Eternal Triangle from the Main Jazz Playlist.
In the fifth measure of the last a section, it should be Bb7, not Bb-7.
The Bb-7 clashes with the G in the melody.
Also the Bb7 chords are correct in the first 2 A sections.
 
> if you spot any glaring mistakes in any of the chord charts let us know.

In "Every Time We Say Goodbye" (Eb), the current version of the playlist (I just downloaded) duplicates the 1st [A] section exactly for the 2nd [A] section. However, there is a very important difference that needs to be corrected: while the final measure of the 1st [A] section is "Ab-7 Db7", the final measure of the 2nd [A] section needs to be "Abmaj7 Db7". The melody note for that final measure also changes from minor in the first [A] to major in the second [A], so this chord change needs to go along with this important change in the melody or else they will clash severely.

-Eric
 
> if you spot any glaring mistakes in any of the chord charts let us know.

In "Every Time We Say Goodbye" (Eb), the current version of the playlist (I just downloaded) duplicates the 1st [A] section exactly for the 2nd [A] section. However, there is a very important difference that needs to be corrected: while the final measure of the 1st [A] section is "Ab-7 Db7", the final measure of the 2nd [A] section needs to be "Abmaj7 Db7". The melody note for that final measure also changes from minor in the first [A] to major in the second [A], so this chord change needs to go along with this important change in the melody or else they will clash severely.

-Eric

When suggesting changes, in addition to the description, please include your corrected chart.
:))BOB
 
I’ve tried to improve the charts so they sound and look better for musicians who seek to emulate the original Kind of Blue version. The chart in the official list is far from accurate. My chart, though slightly less visually appealing, sounds much better in the app and gives clear instructions for the keyboard player how to color the voicings, and the soloists what scales to use – without over-notating it. I believe this version is the best compromise between notation and sound.

Flamenco Sketches - Davis-Evans
 

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