This is the Recado chart I like best.
Here's why. It supports the descending "guide-tone" which starts at D and goes down chromatically a half-step every two bars, seven semitones in a row!
I added that harmony-line as "slash notes" to the alt. chord line above the bars so it would transpose with the chart.
Are you changing the chord and melody in the 7th bar to G7/B? The melody note in the charts I've seen are all Bb. The YouTube recordings are Gmi for the 7th and 8th bars.
Are you changing the chord and melody in the 7th bar to G7/B? The melody note in the charts I've seen are all Bb. The YouTube recordings are Gmi for the 7th and 8th bars.
Yup, 'cause the B natural in the descending line is just too sweet!
Imagine a trombone layin' down that chromatic line against the (ever so slightly) altered melody.
I can hear that <major> chord change used in the Cesar Swing Youtube https://m.youtube.com/watch?v=zEEsz9nBRk0 without the guide line being emphasized.
I put the /notes in the alt chord field so they would transpose with the chart. I don't view them as slash-chord inversions.
If songs could only be played one way, there'd be no jazz. )BOB
Yeah, I can see that. That's kinda the idea.
It Don't Mean A Thing has a quick descending 6 semitone bass line as well.
Rosetta and Lover are two more tunes with long chromatic descending lines. )BOB