Search results

The chart I'm writing has three endings, the first two being the same. So, it would be nice to notate it with the first ending showing "1,2", and a second ending showing "3". Is that possible in iReal?

I've used his arrangement on this youTube performance. He arranges it differently sometimes, but that's what I chose. He plays it in A capo-ed up three frets, so it's actually in C but this chart is in A. If anybody has any improvements on these chords, I'm open to them. In particular...

Lots of versions of this, with the I chord at the end of the A section being played different durations. I've notated it like the Flecktones version, first time through. Big Country - Bela Fleck

I've called it key of D. It's actually D mixolydian, I guess Nowthen - Matt Flinner

Here's a chart for Grey Owl, a Canadian fiddle tune. It contains a "crooked" measure of 2/4, and I'm not sure how to lay it out. I've attached two attempts, but I don't like either. Any suggestions? Grey Owl - Unknown Composer Grey Owl 1 - Unknown Composer

Is there a way to do custom marks, like A1 and A2, or to go beyond mark D? Also, is there a way to define a chorus, that can be repeated at different times without copying the whole thing?

Is there a way to specify a chord with no 3rd? In rock / pop, they'd call it a power chord, in bluegrass a modal chord. For example, in something like Clinch Mountain Backstep or Reuben, the I chord is modal, neither major nor minor, though the melody plays a m3 against it.

On Seldom Scene's Old Train album. The intro / coda is 6 bars. I widened them to make the rest of the 8 bar sections line up correctly, but it looks kind of ugly. Is there a better way to make the line break after the intro, and just leave some space at the end of a line? Appalachian Rain -...

Form is AABA, which I did with DC al Fine. If there's a better way, I'm open to change. New Camptown Races - Frank Wakefield

Form is AAB. Ookpik Waltz - Frankie Rogers (Edited 5/29/2018 to fix key signature and center the repeat signs)

Although this is nominally an AABA form, both Lightfoot and JD Crowe (who did a great cover of this song) play fast and loose with that, sticking breaks in, starting vocals on the B part, and generally not being strictly AABA. Still, I've done it as a simple AABA in order to simplify for...

Here's a new chart for this. I redid it for a couple of reasons. I added the intro a la Tony Rice, Kenny Baker, et al. Also, I put the 2/4 measures in what seemed like a more logical place (and where I've seen them in the banjo tabs I've seen). Sorry the 3rd bar of the intro looks ugly, but...