Recent content by shizusan

  1. S

    Deceptive ii V Prog

    Thanks again for all your analysis and consideration. I know all about chord subs & harmonic relationships. However, none of your examples matched mine. I'm searching for a jazz tune that uses three exact chord types in this order: minor 7th, Dom7b9, maj7th, with the roots relative to "D to G to...
  2. S

    Deceptive ii V Prog

    Thanks for the nice chord shift concept! I always like a new way to find my way to the alt V dom. But in this case the V does go to the I, which itself is an expected progression. The difference in my progression is that the G7b9 dominant goes not down a perfect 5th (or up a perfect 4th) to the...
  3. S

    Deceptive ii V Prog

    I'm looking for a chord progression in a jazz standard. First there is one measure shared by "two five" chords, followed by an unexpected chord filling the next measure. Expected: D-7 G7 goes to Cmaj7 Deceptive: D-7 G7 goes often to A-7 My version: D-7 G7b9 goes to Ebmaj7 instead... It...
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